RPCX Rob Papen RP Distort 1.0.1i | File size: 12.9 MB
RP-Distortis is not just a distortion unit, but much more. The Distortion Unit in RP Distort can be combined with an analog modeled Filter, Compressor, and Expander unit. These units can be reordered, but they can also be turned on or off. In case you only want a great analog filter, RP-Distort can offer it. Or just the unique broadening unit, which is great for expanding a boring mono track.
In addition, the knobs can be modulated with MIDI sources or with one of the 4 built-in LFOs, which can be synchronized with your host tempo.
The distortion unit offers 33 kinds of distortion, including ring modulator, FM, two-band distortion and Lo-Fi. This section also includes the EQ and Noise Gate.
RP-Distort is indeed a nasty FX unit that will distort or change your tracks in an inspirational way!
PC: 32 and 64 bit VST and RTAS for Windows XP / Vista / Windows 7 / Windows 8
The serial / license system, 2nd serial number for 2nd computer / laptop, is available after you have registered the original serial / license of the product.
Uses sound banks consisting of 128 presets.
Handling presets with copy, paste, delete and compare functions. The functions & # 39; Quick Browser & 39 ;, Last searched & # 39; and & # 39; Favorit & # 39 ;. All settings are saved in each preset.
Presets are stored in clear category banks.
The settings of the external controller hardware (fader box) can be saved and restored.
On / off function.
Amp simulation effect. Different types of amplifier types are simulated. Ideal for creating edgy sounds. Type of amp simulation. The following settings are possible: – None, 4×10 "guitar speakers, 4×12" guitar speakers, bass speakers, combo speakers and radio speakers. Distort The distortion added to the sound.
Different types of cabinet types are simulated. Ideal for creating edgy sounds. Type of housing simulation. The following settings are possible: – None, Fender, Marshall & Off Axis.Distort Amount of distortion added to the sound.
Hard Clipper, this limits the output to a value above or below the set clipping level. Negative The clipping level for the negative signal. From 0% (no clipping) to 100% (maximum clipping). Positive The clipping level for a positive signal. From 0% (no clipping) to 100% (maximum clipping). Amount of clipping value from 0% (no clipping) to 100% (completely clipped)
Cosine distortion effect.frequency, frequency of cosine effect.number, amount of cosine distortion
Cross, position for cross-distortion, height of cross-distortion
Negative cross distortion position for the negative signal Positive transverse distortion position for the positive signal. Mount, amount of cross distortion.
About it wrinkles
Foldover distortion, this amplifies the sound and then folds it over. Frequency of foldover distortion. Amount of the number of overover distortion
Fuzz Box DistortionFrequency Frequency of Fuzz Distortion EffectAmount, Number of Fuzz Distortion
Gapper Distortion, Frequency Frequency of the Gapper Distortion effect, amount of fuzz distortion
Hard limiter limits the output to a value above or below the set threshold and amplifies the signal. Limit The limit level for the signal. From 0% (no limit) to 100% (maximum delimiter). Amount, amount of re-limitation.
Low-fi effect, this reduces the sample & bitrate and adds noise to the signal. Bit-level of the signal. Sample rate Sample rate of the signal. Loud amount of noise added to the signal.
Overdrive effectDrive, Drive for the overdrive effectMount overdrive mix.
Octave effect, this shifts the sound by an octave, Negative mixing for the negative signal. Positive mixing for the positive signal.
Octave effect type 2, frequency Frequency of the octave effect. Height of the octave effect.
Power Waveforming effect. Drive, drive for the power effect, height of the power mixture.
Corrects the signal by multiplying the negative signal. Rectification of the negative signal from -100% (no rectification), 0% (half rectification) to 100% (full rectification). Quantity, rectification mix.
The ring modulates (multiplies) different signals depending on the type. Type Sine, Saw, Sqr & Tri multiplies the input with the set oscillator. Frequency Sets the oscillator frequency. Amount Sets the amount of ring modulation.
Saturation Effect Saturation Saturation Amount Saturation Blend Amount
Soft limiter effect Amount of soft limiter
Squared the signal (converts it to a square wave) and then a low-pass filter. Negative amount from which the negative signal is converted into a rectangle. Positive amount from which the positive signal is converted into a rectangle Filter Amount at which this square wave is low-pass filtered.
Distort the transients, d. H. The beginnings of sounds. Range Transient rangeAmount Amount of transient distortion.
Tube distortion effect due to saturation, limitation, rectification and bandpass filtering of the input.Limit, threshold for hard limiter.Rect amount of equalization from -100% (no change), 0% (half) to 100% (full value) .Saturity level of saturation .. Tone frequency of the bandpass filter. Focus bandwidth of the bandpass filter.
Mathematically determined distortion effect that distorts the sound through waveshaping using an Arc-Tan function.
This effect provides another interpretation of clipping distortion. The symmetry control is added for the further sound design.
This effect uses the input to modulate the frequency of the oscillator generated by RP DISTORT.
The waveshaper influences the low and high signal differently and then passes it through a low-pass filter.
The last seven distortion effects occur in two-band variants. These are Two Band Cos, Fuzz, Limiter, Overdrive, Power, Rectification and Saturation.
The two band variants work in the same way as their single-band version, but can handle two different parts of the input signal separately. RP DISTORT divides the input signal into a low and a high frequency band. The split frequency determines the takeover point. The low and high bands are then separately distorted and then mixed together again using the Mix knob.
For example, with the two band effects, you can sustain a solid, deep bass with screaming high frequency material from a single wideband input signal.
EQ unit (within the distortion range):
4-band equalizer effect.
On / off function.
Low 125 Hz volume | Medium 1 500 Hz volume | Medium 2 2 kHz volume | High 8 kHz volume.
Noise Gate (within the distortion range):
Noise Gate Unit, the Noise Gate is an audio effect that removes all sounds (gates) that are below a threshold volume.
On / off function.
Parameters for Threshold / Attack / Hold / Release.
RP-Distort has a low- and high-pass filter, in order low pass filter then high pass filter.
On / off function.
12 / 24dB Selects between a 12dB and a 24dB Filter Low frequency of the low pass filter.
Low Q resonance of the low-pass filter.
High frequency of the high pass filter.
High Q resonance of the high pass filter.
Audio compressor with on / off selector switch
Threshold, Ratio, Attack, Release, and Volume Parameters
4x free modulation routings with volume control.
4x LFO with tempo-based sync mode, waveform, speed, human feeling, symmetry control
Bypass button for all active modulations
Global rate control for all active modulations
Updates: The official site does not contain any information about changes in this version.
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